| 248 units Social Housin | ||
| Pozuelo de Alarcón - Madrid - 2008 | ||
| Architecture: | ||
| Ignacio Lliso / Julián Manzano-Monís | ||
| in collaboration with Ramón Andrada | ||
| Competition 2006 - First Prize | ||
| Client: Sumpasa | ||
| Soc. Urb. Municipal de Pozuelo de Alarcón | ||
| Situación: Location ..... google maps | ||
| Avenida de España, 4 y 6 | ||
| Pozuelo de Alarcón - Madrid | ||
| Colaboradores: Assistants | ||
| Alejandro Garoz | ||
| Ángel Manuel Huélamo | ||
| Iñaki Manchado | ||
| Javier Morante | ||
| María Ramos | ||
| Aparejador: Surveyor | ||
| Ricardo del Val Palomares | ||
| Fernando González | ||
| Técnico ORTIZ : ORTIZ Technician | ||
| Francisco Carmena | ||
| Constructora: Construction Company | ||
| ORTIZ Construcciones | ||
| Estructura: Structure Engineering | ||
| IDEEE - Jorge Conde | ||
| Instalaciones: Service Engineering | ||
| Maproing - Mario Abajo | ||
| Fotografía: Photography | ||
| © copyright by Javier Azurmendi | ||
| Selected project to travelling exhibition: | ||
| MADRID 100% ARQUITECTURA | ||
| Published in MADRID 100% ARQUITECTURA | ||
| Published in conarquitectura nº 32 - October 2009 | ||
| A viewpoint with great environmental value. A new wall as a major infrastructure work and architectural value.. | ||
| The buildings are arranged according to a radial pattern, supported in the visual field of an observer located on the viewpoint. This arrangement enhances the planning target, reducing building mass views and converting the gardened roofs in the new landscape. | ||
| Garden in open spaces between buildings join pedestrian routes that allow access to the ground floor of all the blocks are visually permeable to the garden city that surrounds it. | ||
| We chose an elementary wood and brick prismatic buildings, geometric rigor and simplicity in design, adjusting blocks on natural topography of the lot, to get value as a whole. Inside, the buildings are arranged along a longitudinal corridor accessing apartments side by side. This corridor has open ends, enhancing the feeling of the building as a viewpoint too. You always have the reference of the horizon and the brick-wall as light penetrates inside. Inside the dwellings, horizontal continuous windows open for light and views, pushing the wooden skin like blinking eyelids. | ||
